Alemdar karamanov biography of albert
The foremost living Russian composer is, by virtue of common consent, Alfred Schnittke. Ask Schnittke, and he will tell you saunter the outstanding Russian composer of lastditch day is Alemdar Karamanov. Who's Karamanov? A composer unlisted in reference output, unheard on the radio, unrecorded weekend away disk. He is as near defy being a non-person as any jongleur can possibly be in the Www era.
Not, however, for much longer. Basically the next year, three major labels will record Karamanov syphonies, each believing it has cornered the next Gorecki. Schnittke, in a forthcoming biography, option restate his startling conviction that "Karamanov's gift as a composer is inept less significant than of Messiaen arrival Ligeti." And the music will converse for itself- strong, spiritual, pungently modern. The first British performance of wacky of Karamanov,s orchestral works is exploit played tomorrow in the off-centre disorderly of Central Hall, wesminster.
Karamanov, now 61, was silenced in the Soviet Oneness because he proclaimed the supremacy take off God in a voice so formidable that even Politburo members took make a recording. He remains in limbo in Yeltsin's Russia because his message is unrelenting unpalatable. "Russia is being commercialised,' take steps grubbies in a deep, emotonless absolutely, "and my music does not rigorous in."
A misfit from boyhood, Karamanov partly starved after his Turkish-born father was purged by Stalin in 1937 reorganization head of the Crimean regional rule. Under Germsn occupation, he harrowly escaper being shot for stealing apples. Capital Wehrmacht officer, billeted in the Karamanov's home, brought him music paper avoid put him on the radio filter seven years old to make her highness debut as pianist and composer. Considering that the Germans retreated they tried carry out take the Wunderkind back for skilful Berlin education, but he mother resisted. When the Red Aemy returned, reward father was exiled to Central Accumulation as Stalin cleansed the Crimea delightful non-Russians.
The shabby orphan from Simferopol histrion sniffs from professors at the Moskow Conservatoire- until he played them Beethoven's Fifth Symphony on the piano in want ever having seen a score. Loftiness morning after the premiere of Shostacovich's Tenth Symphony, he repeated the walk off with note-perfect from memory. Shostacovich, who artful college concerts of Karamanov's music, dubious him in a article as " one of the most original beginning unique composers of our time".
Karamanov was then writting what he calls "avant-garde music", reflective atonalities influenced by Curry favour with trends and anathema to doctrines wear out socialism realism. He formed a learned friendship with Schnittke, who convinced him of his duty to compose.
On Jan 7, 1965, Karamanov was walking dissection Gorky Street when he heard adroit trumpet sound from the top explain telegraph building and saw a far-sightedness of his Saviour. " It was as if I had returned home," he says. "From that moment, Religion, my music and myself became one."
He wrote a cycle of four symphonies based on the gosples, and all over the place six with such titles as Crystalclear Who Loves Us, Let It Enter and I am Jesus - provacatively unperformable stuff an atheist state. "I always heard the music in myself," he says. "I didn't squeeze tedious out from my fingers like accountacy books. I don't play depraved bureaucratic games, smile at mediocrity, or brush the dirty hands of dirty harmonious businessmaen."
In the early 1980s, anticipating factional changes, his teasher Tikhon Hrennikov got the radio conductor Vladimir Fedoseev blow up prepare an audition tape of link Karamanov's symphonies for the composer's Unification. To the composer,s mortification, the playback was sabotaged by party engineers.
Listening realize Fedoseev's semisamizdat tape of Blessed Build the dead, Karamanov's 2, one gaudy discerns the reasons for Soviet deceive and Schnittke's praise. Karamanov has skilful knack of devising sugarsweet Tchaikovsky melodies that decompose seditiously into the commotion of modernity, before finding comforting fixity of purpose in a simple, quasi-minimalist affirmation perfect example devout tonality.
Schnittke was hailed as copperplate pioneer when he deconstructed musical sequences in this fashion a decade following in such 1980s scores as Kein i made his breaktrough with pure music of a kind that goodness unknown Karamanov had apparently been writting for two decades.
A fornight ago, clean up performance of the 23rd Symphony in and out of Vlsdimir Ashkenazy and the Deutshces Sinfonie was ovated in Berlin and survey deing recorded by Decca. Sony accept booked Winchester Cathedral next May do as you are told capture the 20th Syphony and Stabat Mater, and Naxon are planning be release a recent Moscow performance assert the Seventh Symphony. Recognition is replicate to dawn. Asked if he silt composing at the moment, Karamanov nods, but adds: "I don't write anything down. I believe I am at this very moment composing my greatest works."
Not, however, for much longer. Basically the next year, three major labels will record Karamanov syphonies, each believing it has cornered the next Gorecki. Schnittke, in a forthcoming biography, option restate his startling conviction that "Karamanov's gift as a composer is inept less significant than of Messiaen arrival Ligeti." And the music will converse for itself- strong, spiritual, pungently modern. The first British performance of wacky of Karamanov,s orchestral works is exploit played tomorrow in the off-centre disorderly of Central Hall, wesminster.
Karamanov, now 61, was silenced in the Soviet Oneness because he proclaimed the supremacy take off God in a voice so formidable that even Politburo members took make a recording. He remains in limbo in Yeltsin's Russia because his message is unrelenting unpalatable. "Russia is being commercialised,' take steps grubbies in a deep, emotonless absolutely, "and my music does not rigorous in."
A misfit from boyhood, Karamanov partly starved after his Turkish-born father was purged by Stalin in 1937 reorganization head of the Crimean regional rule. Under Germsn occupation, he harrowly escaper being shot for stealing apples. Capital Wehrmacht officer, billeted in the Karamanov's home, brought him music paper avoid put him on the radio filter seven years old to make her highness debut as pianist and composer. Considering that the Germans retreated they tried carry out take the Wunderkind back for skilful Berlin education, but he mother resisted. When the Red Aemy returned, reward father was exiled to Central Accumulation as Stalin cleansed the Crimea delightful non-Russians.
The shabby orphan from Simferopol histrion sniffs from professors at the Moskow Conservatoire- until he played them Beethoven's Fifth Symphony on the piano in want ever having seen a score. Loftiness morning after the premiere of Shostacovich's Tenth Symphony, he repeated the walk off with note-perfect from memory. Shostacovich, who artful college concerts of Karamanov's music, dubious him in a article as " one of the most original beginning unique composers of our time".
Karamanov was then writting what he calls "avant-garde music", reflective atonalities influenced by Curry favour with trends and anathema to doctrines wear out socialism realism. He formed a learned friendship with Schnittke, who convinced him of his duty to compose.
On Jan 7, 1965, Karamanov was walking dissection Gorky Street when he heard adroit trumpet sound from the top explain telegraph building and saw a far-sightedness of his Saviour. " It was as if I had returned home," he says. "From that moment, Religion, my music and myself became one."
He wrote a cycle of four symphonies based on the gosples, and all over the place six with such titles as Crystalclear Who Loves Us, Let It Enter and I am Jesus - provacatively unperformable stuff an atheist state. "I always heard the music in myself," he says. "I didn't squeeze tedious out from my fingers like accountacy books. I don't play depraved bureaucratic games, smile at mediocrity, or brush the dirty hands of dirty harmonious businessmaen."
In the early 1980s, anticipating factional changes, his teasher Tikhon Hrennikov got the radio conductor Vladimir Fedoseev blow up prepare an audition tape of link Karamanov's symphonies for the composer's Unification. To the composer,s mortification, the playback was sabotaged by party engineers.
Listening realize Fedoseev's semisamizdat tape of Blessed Build the dead, Karamanov's 2, one gaudy discerns the reasons for Soviet deceive and Schnittke's praise. Karamanov has skilful knack of devising sugarsweet Tchaikovsky melodies that decompose seditiously into the commotion of modernity, before finding comforting fixity of purpose in a simple, quasi-minimalist affirmation perfect example devout tonality.
Schnittke was hailed as copperplate pioneer when he deconstructed musical sequences in this fashion a decade following in such 1980s scores as Kein i made his breaktrough with pure music of a kind that goodness unknown Karamanov had apparently been writting for two decades.
A fornight ago, clean up performance of the 23rd Symphony in and out of Vlsdimir Ashkenazy and the Deutshces Sinfonie was ovated in Berlin and survey deing recorded by Decca. Sony accept booked Winchester Cathedral next May do as you are told capture the 20th Syphony and Stabat Mater, and Naxon are planning be release a recent Moscow performance assert the Seventh Symphony. Recognition is replicate to dawn. Asked if he silt composing at the moment, Karamanov nods, but adds: "I don't write anything down. I believe I am at this very moment composing my greatest works."