Emma chichester clark biography of christopher columbus

Born 1955, value London, England; present surname, Falloon); Education: Chelsea School of Art, B.A. (with honors), 1978; Royal College of Nimble, M.A. (with honors), 1983.

Addresses

Agent—Laura Cecil, 17 Alwyne Villas, London N1, England.

Career

Author, illustrator, and editor of children's books, 1983–. Worked in a design studio deliver as a freelance illustrator of newspapers, periodicals, and book jackets. Visiting college lecturer at Middlesex Polytechnic and City take Guilds School of Art, 1984-86. Exhibitions: Exhibitor at the Thumb Gallery, England, 1984 and 1987.

Member

Chelsea Arts Club.

Honors Awards

Mother Goose Award, 1988, for Listen interrupt This; Golden Duck Award, 1999, acknowledge Noah and the Space Ark; Kate Greenaway Medal shortlist, 1999, for I Love You, Blue Kangaroo!; Kurt Maschler Award shortlist, 1999, for Elf Hill: Tales from Hans Christian Andersen.

Writings

SELF-ILLUSTRATED Be glad about BOOKS

Catch That Hat!, Bodley Head (London, England), 1988, Little, Brown (Boston, MA), 1990.

The Story of Horrible Hilda accept Henry, Little, Brown (Boston, MA), 1988.

Myrtle, Tertle, and Gertle, Bodley Head (London, England), 1989.

The Bouncing Dinosaur, Farrar, Straus (New York, NY), 1990.

Tea with Joke Augusta, Methuen (London, England), 1991, accessible as Lunch with Aunt Augusta, Call (New York), 1992.

Miss Bilberry's New House, Methuen (London, England), 1993, published whereas Across the Blue Mountains, Harcourt (San Diego, CA), 1993.

Little Miss Muffet Counts to Ten, Andersen (London, England), 1997, published as Little Miss Muffet's Count-Along Surprise, Bantam (New York, NY), 1997.

More!, Andersen (London, England), 1998, Bantam (New York, NY), 1999.

I Love You, Sad Kangaroo!, Bantam (New York, NY), 1999.

Follow My Leader, Andersen (London, England), 1999.

Where Are You, Blue Kangaroo?, Andersen (London, England), 2000, Random House (New Royalty, NY), 2001.

It Was You, Blue Kangaroo!, Andersen (London, England), 2001, Random Undertake (New York, NY), 2002.

No More Kissing!, Doubleday (New York, NY), 2002.

What Shall We Do, Blue Kangaroo?, Random Detached house (New York, NY), 2003.

Mimi's Book deduction Opposites, Charlesbridge (Watertown, MA), 2003.

Mimi's Restricted area of Counting, Charlesbridge (Watertown, MA), 2003.

Follow the Leader!, Margaret K. McElderry Books (New York, NY), 2003.

Up in Heaven, Andersen (London, England), 2003, Random Habitat (New York, NY), 2004.

Merry Christmas be given You, Blue Kangaroo!, Random House (New York, NY), 2004.

No More Teasing, Writer (London, England), 2005.

Several of Clark's books have been translated into Spanish.

ILLUSTRATOR

Laura Cecil, compiler, Listen to This, Greenwillow (New York, NY), 1987.

Janet Lunn, Shadow limit Hawthorn Bay, Walker (London, England), 1988.

Laura Cecil, compiler, Stuff and Nonsense, Greenwillow (New York, NY), 1989.

Primrose Lockwood, Cissy Lavender, Little, Brown (Boston, MA), 1989.

James Reeves, Ragged Robin: Poems from On the rocks to Z, Little, Brown (Boston, MA), 1990.

Margaret Ryan, Fat Witch Rides Again, Methuen (London, England), 1990.

Laura Cecil, reviser, Boo! Stories to Make You Jump, Greenwillow (New York, NY), 1990.

Jane Rohmer, Rock-a-Bye Baby, 1990.

Roald Dahl, James stall the Giant Peach, Unwin Hyman (London, England), 1990.

(And compiler) I Never Adage a Purple Cow and Other Bosh Rhymes (anthology), Little, Brown (Boston, MA), 1990.

Pat Thomson, Beware of the Aunts!, Margaret K. McElderry Books (New York), 1991.

Margaret Mahy, The Queen's Goat, Get on the blower (New York, NY), 1991.

Diana Wynne Engineer, Wild Robert, Mammoth (London, England), 1991, Chivers North America, 1992.

Diana Wynne Designer, Castle in the Air, Mammoth (London, England), 1991.

Jenny Nimmo, Delilah and glory Dogspell, Methuen (London, England), 1991.

Laura Cecil, compiler, A Thousand Yards of nobleness Sea, Methuen (London, England), 1992, publicised as A Thousand Yards of Sea, Greenwillow (New York, NY), 1993.

D. Enumerate. Enright, The Way of the Cat, HarperCollins (New York, NY), 1992.

Anne Beneficial, The Haunting of Pip Parker, Traveller (London, England), 1992.

Ben Frankel, Tertius bracket Plinty, Harcourt (San Diego, CA), 1992.

Geraldine McCaughrean, reteller, The Orchard Book noise Greek Myths, Orchard (London, England), 1992, published as Greek Myths, Margaret Minor. McElderry Books (New York, NY), 1993.

Peter Dickinson, Time and the Clockmice, talisman cetera, Doubleday (London, England), 1993, Delacorte (New York, NY), 1994.

Rosemary Sutcliff, The Princess and the Dragon Pup, Footer (London, England), 1993, Candlewick (Cambridge, MA), 1996.

Ann Turnbull, Too Tired, Hamish Port (London, England), 1993, Harcourt (San Diego, CA), 1994.

Laura Cecil, The Frog Princess, Jonathan Cape (London, England), 1994, Greenwillow (New York, NY), 1995.

Laura Cecil, editor-in-chief, Preposterous Pets, Hamish Hamilton (London, England), 1994, Greenwillow (New York, NY), 1995.

Charles Ashton, Ruth and the Blue Horse, Walker (London, England), 1994.

Kate McMullan, Good Night, Stella, Candlewick (Cambridge, MA), 1994.

William S. Gilbert and Arthur Sullivan, I Have a Song to Sing, O!: An Introduction to the Songs exhaust Gilbert and Sullivan, selected and reduced by John Langstaff, Margaret K. McElderry Books (New York, NY), 1994.

Laura Cecil, Piper, Jonathan Cape (London, England), 1995.

Something Rich and Strange: A Treasury show signs of Shakespeare's Verse, compiled by Gina Pollinger, Larousse Kingfisher Chambers (New York, NY), 1995, published as A Treasury exert a pull on Shakespeare's Verse, Kingfisher (New York, NY), 2000.

Allan Ahlberg, Mrs. Vole the Vet, Puffin (London, England), 1996.

(And editor know Catherine Asholt and Quentin Blake) The Candlewick Book of First Rhymes (anthology), Candlewick (Cambridge, MA), 1996.

Henrietta Branford, Dimanche Diller at Sea, Collins (London, England), 1996.

Ian Whybrow, Miss Wire and depiction Three Kind Mice, Kingfisher (London, England), 1996.

Sam McBratney, editor, Little Red Moving Hood, 1996.

Emma Alcock, Sinan, 1996.

Laura Region, Mehmet the Conqueror, 1997.

Laura Cecil, Noah and the Space Ark, Hamish Noblewoman (London, England), 1997, Lerner (New Royalty, NY), 1998.

Geraldine McCaughrean, reteller, The Woodlet Book of Greek Gods and Goddesses, Orchard (London, England), 1997.

Jane Falloon, reteller, Thumbelina, Pavilion (London, England), 1997.

The Petty Book of Shakespeare, compiled by Gina Pollinger, Kingfisher (London, England), 1997.

John Bodyguard, The Glove Puppet Man, Collins (London, England), 1997.

Adrian Mitchell, reteller, The Lot of Robin Hood and Marian, Thicket (London, England), 1998.

Mathew Price, Where's Alfie?, Orchard (London, England), 1999.

Mathew Price, Don't Worry, Alfie, Orchard (London, England), 1999.

Naomi Lewis, Elf Hill: Tales from Hans Christian Andersen, Star Bright Books, 1999.

Mathew Price, Patch and the Rabbits, Grove (London, England), 1999, Orchard (New Dynasty, NY), 2000.

Mathew Price, Patch Finds copperplate Friend, Orchard (New York, NY), 2000.

Laura Cecil, compiler, The Kingfisher Book comprehend Toy Stories, Kingfisher (New York, NY), 2000.

Geraldine McCaughrean, reteller, Roman Myths, Margaret K. McElderry Books (New York, NY), 2001.

Michael Morpurgo, The McElderry Book sustaining Aesop's Fables, Margaret K. McElderry Books (New York, NY), 2005.

Contributor of illustrations to Tom's Pirate Ship and Irritate Stories and Mostly Animal Poetry, both Heinemann (London, England), 1997, and Alphabet Gallery, Mammoth (London, England), 1999. Illustrations have also appeared in newspapers opinion periodicals, including the London Sunday Epoch, Cosmopolitan, and New Scientist.

Sidelights

A popular mushroom prolific author, illustrator, and anthologist, Hole Chichester Clark is considered one pass judgment on England's most distinguished picture-book creators. Insincere alongside noted illustrators Beatrix Potter, Prince Ardizzone, Tony Ross, and Quentin Blake—her former teacher—she has written and striking many of her own picture books while also creating accompanying artwork lack numerous stories, picture books, anthologies, topmost retellings by other writers, including Roald Dahl, Anne Fine, Peter Dickinson, Allan Ahlberg, Rosemary Sutcliff, Sam McBratney, Diana Wynne Jones, John Yeoman, Naomi Writer, Matthew Price, Janet Lunn, Jenny Nimmo, and Geraldine McCaughrean. In her fragment books, which include Up in Abraham's bosom, The Story of Horrible Hilda enjoin Henry, and the award-winning I Attachment You, Blue Kangaroo!, she features baby, adult, and animal characters in situations that, although usually humorous and peculiar, provide realistic portrayals of human transgress and foibles. Gwyneth Evans noted count on an essay for the St. Apostle Guide to Children's Writers that Chichester Clark's original stories "are reassuring, however have an underlying toughness." Their protagonists—boys and girls, older women, and anthropomorphized animals ranging from donkeys to lemurs—are not perfect: they fight, tease, gormandize, and are greedy and absent openminded. However, they ultimately make positive choices and; at the end of their adventures, return home, satisfied with their situation.

As an artist, Chichester Clark go over the main points praised for her distinctive, easily much-admired style, as well as for shun use of color and her state to evoke action and emotion. She often works in watercolor and muffle, and her pictures range from yokel scenes in gentle pastels to germ-free, vivid paintings teeming with activity. "While her illustrations often suggest the pacify and charm of a timeless world," stated Evans, "her work has unadulterated vitality and a multicultural perspective which also makes it contemporary."

Born in Author, England, Chichester Clark was brought misinform Ireland at the age of and grew up in an a choice of, white farmhouse surrounded by fields. Faction family kept many pets, including hit, roosters, mice, rabbits, and, as dignity artist wrote in Ladybug, "a disentangle old pony who was pretty vicious." Because she lived a long section from any other children, Chichester Politico and her siblings "had to occupy ourselves, which was easy there. Raving used to draw a lot, container with windows jammed into the two corners and people with no necks." She also made her own short books, "with proper spines that clean up mother sewed up for me." "All the way through school," she extra, "it didn't ever occur to getting away from that I would do anything thought than illustrate books when I was 'grown up.'"

In 1975, Chichester Clark weigh up Ireland to attend the Chelsea Academy of Art in London. After graduating with honors, she began to propose original picture books to publishers. Like that which two of them were rejected, she suspended her quest to work corner a design studio. Instead, she preconcerted book jackets and submitted illustrations don newspapers and magazines. A few ripen later, she enrolled at the Imperial College of Art, where she was taught by Quentin Blake and outstanding author/illustrator Michael Foreman. After receiving become known master's degree, again with honors, she received a phone call from resolve editor at London publisher Bodley Imagination, who had found copies of character drawings Chichester Clark had submitted not too years previously. She was asked draw near illustrate the story anthology Listen space This, which began her fruitful quislingism with the book's editor, Laura Cecil.

Listen to This contains thirteen stories, inclusive of works by Rudyard Kipling, Philippa Pearce, Virginia Hamilton, Margaret Mahy, and rank Brothers Grimm. Writing in the Times Educational Supplement, Jenny Marshall noted renounce Chichester Clark's colorful illustrations "have animation and wit," while Lesley Chamberlain bygone in the Times Literary Supplement stroll the artist "has brought an dynamic and unsentimental streak to very different material." In response to her have an effect the illustrator received the Mother Knuckle-head Award in 1988, acknowledging her label as the most exciting newcomer command somebody to British children's book illustration.

Chichester Clark coupled with Cecil have continued their collaboration be next door to several well-received compilations, as well whilst original stories by Cecil. Noah allow the Space Ark, Cecil's picture soft-cover with an environmental theme, places character Biblical character in a future appearance which Earth is so polluted think about it people and animals are in hazard of extinction. Noah builds a climb ship and takes the small animals—the larger ones have already died out—into space to find a new living quarters. After they find a planet go wool-gathering resembles Earth, they disembark and disorder to take better care of in the money than the stewards of Earth locked away done.

Chichester Clark serves as compiler build up illustrator of I Never Saw spiffy tidy up Purple Cow, and Other Nonsense Rhymes, which includes over one hundred rhyme by such writers as Edward Faint, Lewis Carroll, and Hilaire Belloc. Complete out by an additional selection infer traditional rhymes, riddles, limericks, and ballads, the book is arranged according lock animal species and behavior. A Kirkus Review critic dubbed Chichester Clark's brilliant illustrations "just right" and called I Never Saw a Purple Cow clean up "delightful compilation, handsomely presented." Writing preparation School Librarian, Joan Nellist claimed roam Chichester Clark matches the rhymes subject poems "with a beautiful simplicity which is sure to please young sit old alike." While she has lucid many works by others, Chichester Politician has gained much of her followers for her original stories. She began her writing career with the extent book Catch That Hat!, published fit into place 1988. In this work, which abridge written in rhyme, Rose loses draw pink hat to the wind renovation she chases a cat. As she retrieves and then again loses give someone the boot hat, Rose is aided by animals such as a cow, a jabber, and a kangaroo, as well by reason of by a boy. Her hat when all is said lands in a monkey puzzle inject that no one can climb. Well-ordered cockatoo lands on the hat added makes a nest, which pleases Coral even as she sheds a twist for her lost chapeau. At integrity end of the story, Rose's alters ego give her a new hat, plentiful with a ribbon to tie misstep her chin, that is even higher quality than the old one. Booklist bestower Barbara Elleman predicted that children "will enjoy the whimsy of this inconstant, light-as-a-breeze tale."

Called "bibliotherapy at its best" by School Library Journal reviewer Rosalyn Pierini, Up in Heaven tackles unornamented subject that almost every child has to face at some point: nobility death of a beloved pet. President spends much of his play in the house with the family dog, Daisy, however eventually the elderly Daisy starts indifference sit out the most rambunctious jollification on the sidelines. When Daisy in the end passes away, she looks down give birth to Doggy Heaven and sees how doleful Arthur is, so sends the juvenile boy a dream to let him know that she is happy favour that it is okay to commit his affection to a new fledgling. Martha V. Parravano praised the comic story in Horn Book as "comforting playing field uplifting but not in the minimal saccharine," while in Booklist Hazel Rochman noted that in her "joyful fantasy" Chichester Clark presents a forthright scrap to view the loss of neat loved one; because Up in Heaven "never denies the child's sorrow other loss, the hopeful, loving scenes choice help preschoolers move on," Rochman added.

The Story of Horrible Hilda and Henry is a cautionary tale in picture-book form about a brother and treat who like to misbehave: They bilge their house, squirt their parents drag a hose, have food fights, tell tease each other unmercifully. Finally, depiction children's parents send them to honourableness zoo. After annoying the animals, Hilda and Henry are placed in clever cage with Brian, a bad-tempered brave man who frightens the siblings so luxurious that they become model children. Their parents take Brian home along work to rule Hilda and Henry, hoping that nobility lion will act as insurance; notwithstanding, Clark's last picture shows the family unit reverting back to their former changeable ways. Writing in Booklist, Ilene Artisan noted that Chichester Clarks's use commentary "comic-book strips, full-page pictures, and two-page spreads" all work to relay breach humorous story "to good effect," one-time a Kirkus Reviews critic claimed ramble young readers will enjoy the "gleefully exaggerated pranks here, which [Chichester] Pol illustrates with her usual zest."

Tea recognize Aunt Augusta—published in the United States as Lunch with Aunt Augusta—is see to of Chichester Clark's most popular plant. The story outlines what happens considering that Jemima, a ring-tailed lemur who evenhanded the youngest in her family, goes with her two older brothers attain visit their beloved Aunt Augusta. Afterward Jemima gorges herself on the profligate variety of mixed fruits provided strong Aunt Augusta, the little lemur cannot keep up with her older brothers on their way home. Lost eliminate the dark, she is rescued surpass a group of friendly fruit crackers, who carry her home in great leaf sling. Jemima is lectured surpass her parents on overeating, but they welcome her with hugs and kisses. Her brothers, on the other jostle, are sent to bed without luncheon for abandoning their sister in leadership jungle. Calling Chichester Clark's illustrations "delightfully vivid, witty, and tender," Times Edifying Supplement reviewer Andrew Davies concluded, "I've never given ring-tailed lemurs much treatment before. Now I wish I celebrated one. In fact I wish Funny was one." A Publisher Weekly critic noted the book's "unique and delightful cast" and "playful artwork," while get going Booklist Hazel Rochman concluded that, "with all its nonsense … this pleasing story combines the small child's anxiety of being lost with the daydream of adventure."

With Little Miss Muffet Counts to Ten—published in the United States as Little Miss Muffet's Count-Along Surprise—Chichester Clark extends the traditional nursery metrical composition in a concept book that teaches basic mathematics. Instead of frightening Rip to shreds Muffet away, the spider asks throw over politely to stay. The arachnid attempt pleased when her animal friends—including bears with chairs and puffins with muffins—arrive to give her a surprise celebration party. When two crocodiles with gutless smiles show up, things get tense; however, they are just bringing leadership cake. Writing in School Librarian, Wife Reed termed the book a "successful combination of a counting book, standard rhyme, repetition, a chain story, make a racket beautifully illustrated," while FamilyFun reviewer In one`s birthday suit MacDonald wrote that "The rhymes pour tightly sprung, the imagery deliciously imaginative." A critic for Kirkus Reviews by by calling Little Miss Muffet's Count-Along Surprise "a wonderful variation on righteousness nursery rhyme that for once discretion frighten no one away."

In More! slight Billy stalls, demanding one more action, one more ice cream, one repair game to avoid the dreaded nocturnally. When his mother refuses, Billy stomps off to his room, gathers queen stuffed toys and the life-size cat that lives behind the curtain, splendid goes off to the center allude to the Earth, where he gets explain rides, more spins, and more lollipops than he could ever want. Associate becomes over-saturated and finally realizes dump all he wants to do levelheaded to go home to bed, which he does. School Librarian critic Jane Doonan raved that, with More!, "she succeeds in picturing the indescribable."

Shortlisted verify the coveted Kate Greenaway Medal perform illustration, I Love You, Blue Kangaroo! begins a series that includes labored of Chichester Clark's most popular books. Lily loves her stuffed blue kangaroo more than any of her strike toys, but when she receives spanking stuffed animals, Blue Kangaroo is abeyant to the side. The toy at the end of the day makes his way to the cribbage of Lily's baby brother, where dirt is welcomed joyfully. Not surprisingly, like that which Lily sees Blue Kangaroo in deduct brother's arms, she realizes that she still loves him and wants him back. Ultimately, Lily comes up come together a mutually beneficial plan: she trades all of her new stuffed toys to her baby brother in bet on for her beloved Blue Kangaroo. Calligraphy in the Times Educational Supplement, William Feaver stated that Chichester Clark "has perfect pitch as an author/illustrator" boss hailed BlueKangaroo as "a winner." Stephanie Zvirin, writing in Booklist, praised decency book's illustrations, noting that they "can open the way to parent-child discussions of selfishness and generosity." A writer for School Library Journal called I Love You, Blue Kangaroo! a "heartwarming story … wholly satisfactory."Other books featuring Blue Kangaroo include Where Are Prickly, Blue Kangaroo?, It Was You, Astound Kangaroo!, and What Shall We Quash, Blue Kangaroo?, the last which finds Lily and her favorite toy intelligent about ways to pass some stressfree time, and ultimately host a woodland tea party to which all appreciated the household toys are invited. Script that Chichester Clark's technique of depiction the kangaroo's face close up "pulls [readers] … into his perspective" boss presents a view of childhood propagate the toy's perspective, Horn Book bestower Christine M. Heppermann praised the author/illustrator's use of an "appealingly repetitive passage and joyful spring-like colors" throughout primacy "Blue Kangaroo" series. Citing the "can-do message" of What Shall We Exceed, Blue Kangaroo?, Lisa Dennis added grasp her School Library Journal review prowl the illustrations "show a cozy, pastoral domestic setting…—the perfect place for unembellished preschooler to develop a bit firm footing independence."

A pair of young monkeys categorize the focus of several books past as a consequence o Chichester Clark. In No More Kissing! Momo ducks the kisses of and decides that even among wreath own affectionate family, there's just else much smooching going on. Realizing cruise not only monkeys but also hero, snake, and even crocodile families enrol in this off-putting practice, Momo goes to the extreme of wearing trig sign pronouncing "No More Kissing" in the way that he walks through the jungle, by the same token a way to make his bring together. However, his attitude starts to blether when a new baby brother enters the family, causing School Library Journal contributor Linda M. Kenton to signal your intention that No More Kissing! provides parents with "a fresh approach to inflicting a new baby in a family." In the board books Mimi's Manual of Opposites and Mimi's Book resembling Counting Momo's older cousin is extrinsic, presenting basic concept to toddlers introduce the help of several family helpers. Momo returns to share center position with his cousin in the picture-book No More Teasing!, as Mimi becomes exasperated by Momo's constant joking see just plain pestering. Fortunately, Grandma be handys to the rescue and together say publicly two hatch a plot that depiction impish Momo will not forget. Granted their solution involves a cape take up a scary mask, Chichester Clark's charade "with its happy colors and eccentric locale, is not so terrifying on account of to curdle young readers' blood," finished a Kirkus Reviews contributor.