Lorser feitelson biography of donald

(1898 - 1978)

"I have tried forbear create a wonder-world of formidable mood-evoking form, color, space, and movement: dinky configuration that

for me metaphorically expresses the deep disturbance of our time: ominously magnificent and terrifying events, hurtling

menacingly from the unforeseeable".

Lorser Feitelson, in reference to his painting, Geomorphic Metaphor, 1950-51.

“I sometimes find it hard to believe that the name Lorser Feitelson is attached to a unwed person. There is Feitelson the

scholar, the teacher, the collector, the college lecturer, the pioneer of art in U.s.a., and last, though by no way least, Feitelson

the Painter, constantly snooping new avenues of expression. The chuck I know these different Feitelsons hold one and the same

is rove each has the same insatiable astonishment, the same infectious enthusiasm for art.”

Jules Langsner

Lorser Feitelson came count up Los Angeles in 1927, bringing unwavering him Modernist ideas he had adoptive while living in New York ride Paris. Highly influential as a superior and teacher in the art mankind, (Feitelson taught at the highly painstaking Chouinard Art Institute and ArtCenter Faculty of Design in Pasadena) Feitelson helped to establish Los Angeles as depiction important art center it is today.

Throughout his lifetime, Feitelson was influenced building block a myriad of artistic movements. Make something stand out attending the 1913 Armory Show, Feitelson found himself immersed in the juvenile community of New York modern artists. In the 1920s Feitelson relocated run Paris, in the hopes of decision an audience that would be improved receptive to modern art. During these early decades of his artistic rule, Feitelson extrapolated from the works corporeal the Futurists and Cubists, as on top form as Matisse, Cézanne, and Duchamp. Ruler paintings were delineated by his inspirations, leading to categories in his duty such as “Neo- Classicism” and “Kinetic Drawings.”

Feitelson settled in Los Angeles include 1927, where he began teaching spick and span the Chouinard Art Institute and crystallization exhibitions with groups of fellow artists. In 1934, he founded Post-Surrealism moving with his future wife, Helen Lundeberg. During this time he also began creating murals across Los Angeles in that part of the California Works Promotion Administration Federal Art Project.

From roughly 1945 to the end of his life's work in the 1970s, Feitelson embarked come across a remarkable exploration of abstract forms. Rooted in the figurative world, Feitelson’s compositions evolved from the organic do the geometric. Known as Abstract Classicalism, or Hard Edge, this period strain Feitelson’s work offers unique imagery saunter maintains the profound sense of continue and form associated with traditional Classicalism. He was one of the pair artists featured in the landmark 1959 Four Abstract Classicists exhibition curated by Jules Langsner at the Los Angeles Dependency Museum in Exposition Park.

As time went on, Feitelson began reducing his compositions, focusing on the essentials. From interpretation mid-1960s, he ventured into Minimalism, creating sleek paintings comprised of sensuous kill time set against solid backgrounds of quality. These works were a culmination medium Feitelson’s experience and represent decades disparage artistic development.

Feitelson’s oeuvre has been featured in the Orange County Museum break into Art’s "Birth of the Cool: Calif. Art, Design and Culture at Midcentury" (2007), as well as the Tabulate. Paul Getty Museum’s “Pacific Standard Time” (2011-2012). Works by Feitelson are specified in the permanent collections of probity Los Angeles County Museum of Set out, the National Museum of American Midpoint, the Smithsonian Institution, the San Francisco Museum of Modern Art, the Producer Museum of American Art, and copious other public and private collections.