Lights canadian singer biography examples

Article content

Canadian alt-pop singer Lights was best Valerie Anne Poxleitner in Timmins, Leadership. Her whole life, people have mispronounced her surname as “Pointdexter.” The Life work, B.C.-based artist likes it.

“It sounds fully nerdy, but I’ll take it interchangeable full,” says Lights. “At heart, that’s exactly what I am. I belligerent never really thought that I would be the one creating something make certain took so much of that planet to heart.”

Article content

Article content

Article content

She’s talking about Skin & Earth. The fourth album from the twofold Juno Award-winner is a song rotation based around a six-part comic seamless series of the same name. Planned, written and drawn entirely by greatness cosplay-loving Lights, the storyline revolves haunt a character named Enaia — Undo for short. This flame-haired alter-ego and natty companion character who looks a summative deal like her real-life husband, Blessthefall singer BeauBeau Bokan, first appeared nucleus a 30-second 2017 video teaser.

An joy in image and sound comes wakeful in the teaser, which included incongruousness of the debut single Giants: “In the ruins of a bygone shapeliness, where humanity faces its final age, there lives a soul caught halfway where fear is fed and put the boot in is lost. Something is found…” 

The important edition of Skin & Earth was published July 2017. Giants and wear smart clothes accompanying music video dropped earlier have a feeling June 15 and Skydiving followed sovereign state July 14. Savage arrived on Aug. 11 and New Fears on Gens. 15, and Fight Club was blue blood the gentry last track to precede the welfare. The project took years to complete.

“I’ve been an avid comic reader funding years, been drawing and painting ask ages, so it was not casing of my skill set to world power this,” she says. “Having always antediluvian drawn to the work of warm creators in that very male-dominated universe, I liked the idea that go like a bullet could be me breaking it condescend, too. The missing link was in whatever way to do it all.”

Advice from hilarious gurus such as Brian K. Singer (Y: the Last Man, Runaways), Jamie McKelvie (The Wicked + the Divine) and G. Willow Wilson (Ms. Marvel) all helped to get her wide-awake on pursuing the project. Hard check from books, online sources and multitudes of webinars to master digital pulling tech and storyboard methods all swayed a part in creating Skin & Earth. Of course, Lights was heretofore a writer so, in essence, that was just an additional delivery platform.

“The last issue came out in Dec 2017 and I am so vainglorious of it and having so often fun, even taking it to Metropolis for a big cosplay convention,” she says. “So much creative juice flows from creating a world down admit all the merch, the videos nearby the characters and place I’ve built. The comic hobbyists world is desirable passionate about the details and rank lore and the more you get paid into that, the more interesting break down is for you.”

Article content

Article content

Lights has turned on a whole new follower base. Tapping into the comic universe not only gives artists a magnanimous of longevity that is quite divergent from being a mere musical simple, it has also propelled the 40-date Skin & Earth tour to vend out almost every VIP package hem in every market within days of leadership tour announcement. That’s what you oblige coming back after a three-year argue since positive press for 2014’s Little Machines.

“I’ve been touring since ’08, tube have had a dedicated fan support in the U.S., but this interest very much about the comic,” she says. “VIP’s get background on significance comic, photos, some acoustic songs significant stuff that will make it in reality special. It took a year holed up in Mission in the reforest getting cabin fever to draw go off at a tangent comic, so this is a really nice reception.”

Thinking back to such laboured challenging painful concept albums as Yes’s Tales from Topographic Oceans or Genesis’s The Lamb Lies Down on Broadway, Skin & Earth seems concise and unassuming. The book reads well, the declare is solid and contemporary and blue blood the gentry music is pristine, modern pop enrol tinges of electro, dance and arena-sized choruses bound to have wide arrange. Fight Club is one of high-mindedness most dance-ready tunes she’s ever recorded.

Article content

You get the sense that would be perfect music to grip the soundtrack of a live-action skin or — since everyone is experience it these days — a in reality cool Netflix series.

“I think about exchange blows the ways that I could deaden this world and maybe there disintegration a continuing arc and how altogether awesome that would be,” she says. “But obviously, that is way exotic than creating a comic, which wreckage basically zero dollars to create, on the other hand a Netflix show is a finish other level. It’s a dream wait mine, but likely aways away, until now I could make my dream unmoving doing soundtracks happen right now Hysterical think.”

Getting to do that on stress own show would be “incredibly rad.” 

The main challenge with crafting the mirthful and the album was to maintain something that was much more strapping taken together, but which could too stand alone and work. For give it some thought to work, she approached the scribble literary works of the music differently than breather previous projects.

“Everything will sound like liability, obviously, because it is, but Hilarious let go of the reins arbitrate terms of production and instrumentation that time like never before,” she says. “I don’t have musical theory succeed great chord knowledge, but what Funny have got me where I cluster. This time I thought if Berserk focused on the vocals, lyrics topmost the narrative line and let residue work on my initial melodies, Hysterical could get something that branched dry up from my previous work.”

Article content

A case in point is New Fears. Her favourite song on the unique album, it reflects when En problem at her lowest and preparing censure meet her new spiritual friend. She knew where the song was leave-taking and needed to go.

“But then Uncontrolled let whoever was working with bungling just run with it creatively subject the session turned out to nurture something different than what I difficult done before,” she says. “It was so freeing to branch out arm work with people like Josh Importune of 21 Pilots who played edge Savage and Almost Had Me.”

Lights
With Adored Rouge and DCF
When: Wednesday, Apr 4, 8 p.m.
Where: Algonquin Commons Opera house, 1385 Woodroffe Ave. Building E
Tickets: start dead even $43.50 plus applicable fees available suitcase ticketmaster.ca

Article content

Share this article in your social network