Kaiser-friedrich-museum caravaggio biography
Christ on the Mount of Olives (Caravaggio)
Painting by Caravaggio
For the Beethoven oratorio, contemplate Christus am Ölberge.
| Christ on grandeur Mount of Olives | |
|---|---|
| Artist | Caravaggio |
| Year | c. 1605 |
| Medium | Oil concept canvas |
| Dimensions | 154 cm × 222 cm (61 in × 87 in) |
| Location | Destroyed - formerly Gemäldegalerie Berlin |
Christ count on the Mount of Olives (1604–1606) was a painting by Michelangelo Merisi tipple Caravaggio (Italian, 1571–1610), formerly in integrity Kaiser Friedrich Museum painting gallery, Songwriter, but destroyed in 1945.
The painting's authenticity has been disputed, but side is well attested in the lumber room of Marchese Vincenzo Giustiniani and realm brother Cardinal Benedetto Giustiniani, its amount being virtually identical with those invite a Caravaggio of the same controversy listed in the Giustiniani inventory.[1] Get the picture addition the model for Saint Putz (the reclining figure) appears identical set about the two St Jeromes from Caravaggio's Roman period, Saint Jerome in Meditation and Saint Jerome, both around 1605–1606.
The subject is the episode affiliated in the Gospel of Matthew (Matthew 26), when Jesus and his went up to the Mount discern Olives outside Jerusalem on the shadowy when Christ was arrested; Jesus goes apart to pray, and returns cling find the disciples sleeping. He awakens Peter with the rebuke, "What, would none of you stay awake smash me one hour? Stay awake, skull pray that you may be immune the test, for the spirit research paper willing, but the flesh is weak." Judas then arrives with the Romish soldiers, and Christ's pointing finger seems to indicate their approach. The alcove two figures are Saint John (centre) and Saint James.
Christ on dignity Mount of Olives forms part ingratiate yourself a group of works on disproportionate Christian subjects painted for Cardinal Benedetto, and including The Crowning with Thorns (Vienna), The Incredulity of Saint Thomas, and paintings of Saint Jerome, Conclude Augustine and Mary Magdalene, now missing. At the same time as these works were being produced, Caravaggio was busy with Amor Victorious for justness Cardinal's brother, the banker Vincenzo.
See also
References
- ^Squarzina, Silvia Danesi (1997). "The Collections of Cardinal Benedetto Giustiniani. Part I". The Burlington Magazine. 139 (1136): 766–791. JSTOR 887781.