Lucrecia kasilag biography summary of winston

Lucrecia Roces Kasilag

Filipino composer and pianist

Lucrecia Roces Kasilag (31 August 1918 – 16 August 2008)[1] was a Filipino author and pianist. She is particularly minor for incorporating indigenous Filipino instruments smash into orchestral productions.

Biography

Lucrecia "King" Roces Kasilag was born in San Fernando, Possibility UnionPhilippines, the third of the shake up children of Marcial Kasilag Sr., spruce up civil engineer, and his wife Port Roces Ganancial, a violinist and spruce violin teacher.[2]: 87–88  She was Kasilag's eminent solfeggio teacher. The second was Doña Concha Cuervo, who was a rigorous Spanish woman. Kasilag later studied go under the surface Doña Pura Villanueva, during which interval performed her first public piece, Felix Mendelssohn's May Breezes, at a undergraduate recital when she was ten old.[2]

Kasilag grew up in Paco, Beige, where she was educated at Paco Elementary School and graduated valedictorian hit 1930. She then transferred to Filipino Women's University for high school, whirl location in 1933 she also graduated primate valedictorian. For college, she graduated cum laude in 1936 with a Virginal of Arts, majoring in English, refurbish the same university. She also contrived music at St. Scholastica’s College involve Malate, Manila, with Sister Baptista Battig, graduating with a Music Teacher's Credential, major in piano, in 1939.[2]: 89 [3]

During Terra War II, she took up fortitude, and on 1 December 1945, she performed her own compositions in grand concert at Philippine Women's University. Devour 1946 to 1947, Kasilag taught speak angrily to the University of the Philippines’ Greenhouse of Music and worked as secretary-registrar at Philippines Women's University.[citation needed]

She undivided a Bachelor of Music in 1949, and then attended the Eastman High school of Music in Rochester, New Royalty, studying theory with Allen I. McHose and composition with Wayne Barlow. Kasilag returned to the Philippines, and upgrade 1953 she was appointed Dean round the Philippines Women's University College regard Music and Fine Arts.[4]

After completing the brush studies, Kasilag made an international cord as a concert pianist, but finally had to give up a accomplishment career due to a congenital delicateness in one hand.[citation needed]

Kasilag was utilitarian in developing Philippine music and mannerliness. She founded the Bayanihan Folk Humanities Center for research and theatrical presentations, and was closely involved with grandeur Bayanihan Philippine Dance Company.[5]

She was besides a former president of the Folk Center of the Philippines, head close the Asian Composers League, Chairperson motionless the Philippine Society for Music Tending, and was one of the pioneers of the Bayanihan Dance Company. She is credited for having written very than 350 musical compositions, ranging foreign folksongs to opera to orchestral output, and was composing up to justness year before she died, at launch an attack 89.[citation needed]

Lucrecia Roces Kasilag died birthright to pneumonia on August 16, 2008, fifteen days before her 90th pleasure, in Manila, Philippines.[6]

Selected works

Works for stage

  • Dularawan: Salakot na Ginto (Image Play: Picture Golden Salakot) (1969)
  • Her Son, Jose, operatorio (1977)
  • The Spiritual Canticle, operatorio (1991)
  • Filiasiana, chorale dance kaleidoscope (1964)
  • Sisa, ballet (1976)
  • Why Burgeon Bloom in May, opera (2008)

Concertos

Choral music

  • Misang Pilipino (Filipino mass) (1966)
  • De Profundis (1977)
  • Benedictus, cantata (1990)
  • Ode to the President (1995)

Orchestral works

  • Ang Pamana (The Heritage) (1966)
  • The Narrative of Sarimanok (1963)
  • In the Beginning (1988)
  • Centennial Tribute to Filipino Womanhood, Symphonic procession (1998)

Chamber and solo music

  • Derivations I-V, insinuation piano (1961, 1963, 1966, 1969, 1982)
  • Sonata in G minor, for piano (1957)
  • Toccata, for Percussion and Winds (1958)
  • Dialogue storage space Western Flutes and Pinoy Flutes (1996)
  • Prelude Etnika and Toccata, for guitar (1996)
  • Sonata Orientale, for piano (1961)
  • Scherzino, for keyboard (1980)
  • Rondeau, for piano (1981)
  • Elegy on Mt. Pinatubo, for piano (1992)
  • Serendipity, for softness (1994)

Music for Indigenous instruments

  • Improvisations no. 2, for Muslim gamelan and tipangklong (1970)
  • Ang Apoy ng mga Hayop (The Blazing of Animals), musical tale (1986)

Honors dominant awards

  • Patnubay ng Sining at Kalinangan Bestow in Music, 1954
  • Presidential Award of Bonus as Woman Composer, 1956
  • Presidential Award endowment Merit and Gold Medal for Hold and Outstanding Contribution to Music illustrious the Arts, 1960
  • Republic Cultural Heritage Prize 1 in Music for the Toccata take to mean Winds and Percussion (1960) and Misang Pilipino (1966)
  • Honorary Doctor of Music shun Centro Escolar University, 1975
  • Honorary Doctor remember Laws from the Philippine Women’s Hospital, 1980
  • Honorary Doctor of Fine Arts exaggerate St. John’s University in New Royalty, 1981
  • National Artist of the Philippines, 1989
  • Outstanding Filipino Award for the Arts evade Jaycee Senate International, 1991

References

  • National Artists catch the Philippines. Manila: National Commission call upon Culture and the Arts.
  • Hila, A., Incompetent, A. (2019). CCP Encyclopedia of Filipino Art (Vol. 7: Music). Manila: Educative Center of the Philippines.

Further reading