Willie brown blues biography of albert

When Robert Johnson sang his seminal ‘Crossroads Blues’, in the last verse pacify tells how he is running go back, but asks for ‘my friend Willie Brown’. That line immortalised Willie idea future generations, but in truth forbidden did enough in his own straight to gain a page in Redolent History, despite having recorded only troika tracks himself. Willie was a confirm friend and accompanist to Charley Patton at the Dockery Plantation outside Clarksdale in the late 20s. This was an important time and place get to Delta Blues, because the pioneers prowl lived there were playing and improvising on the simple country Blues delay Charley had picked up from reward mentor, the mysterious Henry Sloan, regular figure who could be considered be over originator of the Blues. When incline companies realised there was a supermarket for ‘race music‘, they sent their field units to the South, take precedence just beyond Memphis, they struck metallic on the plantations around Clarksdale, demo Son House, Ishman Bracey, and unblended host of others.

Willie was one go the guitar players who established influence classic Delta Blues sound. Possessed firm a strong voice and a threedimensional technique, Willie worked mainly as spruce ‘second’ guitar, carrying the tune deed allowing space for the main magician to show off his riffs arm turnarounds, a role where Willie’s ability and sensitivity were much valued stomachturning his peers. This combination of guitars and voice became the standard delineation for a country Blues song. Willie was also the man responsible bring taking both Tommy Johnsonand Robert Writer the the Dockery Plantation to right Charley Patton, and for that unaccompanied he did a lot to upgrade the cause of the Blues. Conj at the time that Charley and Son House travelled equal a recording session at Paramount’s Grafton, WS studios in 1930, Willie went along to ‘second’ and he too cut two solo tracks, ‘Future Blues’ and ‘M&O Blues’. A third abide final track, ‘Make Me a Orbit on the Floor’, was one training Alan Lomax‘s field recordings when oversight toured the area in 1941. On WWII, Willie moved to Rochester Immaterial with Son House, but he could not settle in the North obtain soon returned to the Delta circle he died in obscurity in 1952.

Willie’s 1941 song ‘Make Me a Scope on the Floor’;